From November, 2014
Resources for the History, Culture, and Gender Stereotypes in Othello
For Embedded Assessment 1, Unit 3 of the grade 12 English curriculum students are being asked to do the following:
Choose one of the critical lenses you feel allows for the most compelling/accurate/interesting view of Othello. You will use textual evidence to support your argument for either the cultural, feminist, or historical lens.
This Othello Critical Lenses Graphic Organizer with an outline of the three lenses should help to support this process.
The following list of resources will also provide background information about the cultural, historical and gender specific context of the play.
“A Cultural Context for Othello” from Shakespeare Theatre Company
- Has information on the history, culture and stereotypes of the time period
“Cultural Context: Elizabethan Era” and “Othello Historical Information Context Sheet” from MsNGPrelimaryEnglish
- The PDF files of these documents are available from this website (see links)
- Has information on the history, culture, and racial and gender stereotypes of the time period
“Othello, the Moore of Venice” from the Marin Theater Company
- Has information on Othello’s character as an outsider in society and the impossibility if his success in his relationship with Desdamona
“1500-1600 End of the Renaissance and the Reformation” from Khana Academy
- Gives a historical context for Venice in the 1500’s (the time period in which the play was placed)
“Elizabethan England” from PhillyShakespeare.org
- Has Information on the role of women in Elizabethan England
“Adultery” and “Chastising Bad Women” from Duke
- Has information about how women were expected to behave in marriage and what adultery and sexuality meant to men and women
“Rights of Women” from UMBC
- Has information about how women were seen in the Elizabethan era
Please feel free to give the link or the name of this article to students for easy access to the resources, or you can download and pass out this handout to them if you prefer:
Using Critical Lenses to Analyze Othello: Historical, Cultural and Feminist Context
“Critical lenses” can help to support students independent analysis of texts. They give a starting point for viewing the piece in a different way and thinking deeply about it. At the same time, they can be challenging to directly teach to students and some critical lenses might be difficult for students to connect with personally.
Unit 3, Embedded Assessment 1 of Springboard asks each student to argue for a particular critical lens and to use text evidence to support his or her perspective. Here is the assignment:
Construct an argumentative essay that defends the critical lens you feel provides modern society with the most compelling view of literature (choose among Historical, Cultural, or Feminist). You will support your claim with valid reasoning and with relevant and sufficient evidence from your reading and observations.
In order to incorporate the specific text with which students are working, teachers decided to modify the prompt to specifically focus on Othello:
Choose one of the critical lenses you feel allows for the most compelling/accurate/interesting view of Othello. You will use textual evidence to support your argument for either the cultural, feminist, or historical lens.
In order to support this EA, I created a graphic organizer students may use to record textual evidence while reading the play. It also includes a table with information about the three lenses:
Critical Lens | Definition/Explanation | Questions one might ask when viewing media/literature from this lens. |
Cultural
(page 48) |
This lens examines the text from the perspective of cultural attitudes and often focuses on individuals within society who are marginalized or face discrimination in some way. Cultural criticism may consider race, gender, religion, ethnicity, sexuality or other characteristics that separate individuals in society and potentially lead to one feeling or being treated as “less than” another. It suggests that being included or excluded from the dominant culture changes the way one may view the text. |
|
Feminist
(page 87) |
This lens examines the text with a focus on the relationship between genders and how these relationships affect beliefs, behaviors and values. It examines how patriarchal society depicts and treats women in particular, focusing on stereotypes of women or men in texts as one aspect of this. |
|
Historical
(195) |
This lens examines the text from the time period in which it was created and the one it was depicting. It assumes that a text cannot be understood without the context of the point in history in which it was created/written about and the study of the cultural norms and values of the time period(s). |
|
In addition, it provides an example from the text of a quote being viewed in two different lenses:
Textual Evidence (Direct Quote) | Critical Lens for Analysis | Interpretation of evidence using critical lens |
Ex.:
OTHELLO: My name, that was as fresh As Dian’s visage, is now begrimed and black As mine own face. (3.3.54) |
Ex.:
Feminist |
Ex.: In this quote, Othello is stating that his wife’s supposed infidelity has ruined his name and turned it “black” and dirty like his own face, showing that a woman’s fidelity was linked to a man’s honor. In this case, a woman’s promiscuity not only devalued her, but also her partner. |
Ex.:
OTHELLO: My name, that was as fresh As Dian’s visage, is now begrimed and black As mine own face. (3.3.54) |
Ex.:
Cultural |
Ex.:
In this quote, Othello is stating that his wife’s supposed infidelity has ruined his name and turned it “black” and dirty like his own face. Othello has bought into the racism of his culture and devalues his own race, comparing his skin color to grime, which has a negative connotation. |
You can download the Word document of this file here:
Othello Critical Lenses Graphic Organizer
Please follow this link to view resources that can be used to help students establish the background needed to analyze Othello in the three critical lenses (historical, cultural and feminist).