Tagged CAWP
Science, ELA and Art: CAWP Presenter
“Learning can be transformed into understanding only with intrinsic motivation. Learners must make an internal shift; they must choose to invest themselves to truly learn and understand. This need for creative engagement applies to all fields… In the arts, teachers specialize in creating environments that encourage learners to set aside the usual rules of school and invest themselves intrinsically. It requires an act of courage.”
–Creating Innovators by Tony Wagner, taken from Caren Truske’s 2013 CAWP Fall Conference presentation
Caren Truske is a chemistry teacher and member of Project Aspire (an arts integration based inquiry group) who had her her students work displayed at the Columbus Arts Festival this year. She presented at the Columbus Area Writing Project fall conference and modeled for teachers some of the techniques she used to engage and motivate her students in the thinking and research processes for science. Caren was a member of my CAWP cohort two years ago.
Here is a summary of her process with students:
- Product: Research, create and present a written and visual interpretation of the important aspects of an element from the periodic table.
- Students research an element of the periodic table and then “mind map” the phrases and terms associated with it on paper
- Students use the mind maps and their research to create different forms of short poetry or other creative writing
- Students create a visual representation of their element using a “stamping” process where they first create a Styrofoam stamp and then use it to create a reverse image
- Presentation: These projects were displayed at the Columbus Arts Festival
In her presentation, we used the same process without research, and I worked with one of her students. He “mind-mapped” music, so I mapped poetry on the same paper. As we did this, we circled and connected our common words. Then, she gave us some short form poetry examples to use as a model. The student and I both had the word “rhythm,” so I used an acrostic poem (a form I usually don’t like) to write about that:
Repetition of sounds- thumping and
Humming with the beat
You find your own
Tapping, rapping on the table
Human noises
Make music
We practiced another poetry form with the same topic, and then created our stamps to go with either work and made the final product of writing and visual combined.
Truske asked me how I would imagine this in the ELA classroom. I think that the “stamping” process would be a good way to introduce symbolism of abstract concepts to students. I think that the mind-mapping free association is a good way to start that process, too. In addition, I think short poetry forms are a great way to address content issues and use formative assessment. For example, I could see teachers asking students to write:
- a haiku about claims
- a definition poem about “connotative meaning”
- a senryu describing the theme in a story
Truske said any teacher can ask to have their students work displayed at the Columbus Arts Festival.
She referenced the work on Tony Wagner in her presentation, so here are some links to his work:
- A TED Talk called “Play, Passion and Purpose” by Tony Wagner.
- Global Achievement Gap by Tony Wagner
- Creating Innovators by Tony Wagner
Doing What We Teach
Being a teacher, especially the first years, gave me a chance to explore, and exhaust, my mental facilities and creative energies. Teaching is rewarding, but it can sometimes (especially with grading) leave little “mind” to explore other endeavors.
However, most English teachers began as writers, or at least great appreciators of the art of writing, and my guess is what we wrote, read, and loved was not a non-fiction, primary source text about the creation of the Declaration of Independence. Not that this information isn’t important, exciting or worthwhile, but most teachers of English began the job because they love art and the emotional and intellectual benefits it brings.
As a teacher, I think I had forgotten the initial spark that brought me into the English classroom. However, after my first couple of years, I got involved in an arts integration program for my students that reignited my love for creative expression. That summer, I applied and was accepted into a Columbus Area Writing Project cohort, which is an organization under the umbrella of the National Writing Project.
In the two and a half weeks that I was part of the program, I connected with other professionals who were also passionate about education, innovation, and writing. I was inspired, and still am, by all that I learned from them.
In the program, I learned the power of meaningful modeling at the teacher’s level. It only really works when the teacher can have an “aha” moment that is as meaningful as the students will have in the classroom.
I learned the power of reflection. When we learn, it needs to be discussed. It needs to be processed. That is how we know we have learned; it is when learning becomes meaningful.
In addition, I wrote. So much… Too much. It helped me to connect to the part of myself that I want to bring into the classroom. The part of me that does what I teach.
CAWP offers summer programs every year that result in “teacher-consultant” certification (respected and well represented within the NCTE community), I would be happy to share more of my experiences with that. In addition, they offer a fall conference which I just attended. This is my second year as an attendee and presenter.
This week, I will post some of the insights and resources gained from this conference in additional posts.
